Alexander Wessely on the art without boundariesWessely's work explores the intersections of time, identity, and perception through multimedia art, emphasizing both human and post-human influences.
Two New Yorker Films Receive 2025 Oscar NominationsTwo films from The New Yorker receive 2025 Oscar nominations, marking a potential first win for the magazine.
Ali Smith's Playful DystopiaAli Smith's novel "Gliff" critiques our reliance on technology and the consequences of being 'unverifiable' in a surveilled world.
Sam Altman's eyeball-scanning crypto project has a new Orb and a new nameWorldcoin is rebranded as World, focusing on expanding their human identity network and cryptocurrency access through improved technology and increased availability.
Ali Smith's Playful DystopiaAli Smith's novel "Gliff" critiques our reliance on technology and the consequences of being 'unverifiable' in a surveilled world.
Sam Altman's eyeball-scanning crypto project has a new Orb and a new nameWorldcoin is rebranded as World, focusing on expanding their human identity network and cryptocurrency access through improved technology and increased availability.
London Standard's AI-generated review, by late art critic Brian Sewell, exposes a significant philosophical threatThe London Standard's AI-generated art review raises questions about the role of human critics and the implications of AI on personal identity.