Ricky Flores nostalgically describes his childhood in the Bronx, highlighting a vibrant and community-driven environment full of music, play, and cultural richness. Yet, the landscape was marred by violence and socio-economic struggles, especially during the 1970s and 1980s when drugs devastated neighborhoods and the effects of significant events captured national attention. The thriving street culture of music and dance emerged amidst this chaos, reflecting resilience and creativity in the community.
Reflecting on his roots, Flores states, "When I first moved to the Longwood section of the Bronx, the neighborhood was vibrant, and filled with people... Music seemed to fill the air whether from the radio or drum circles." This captures the essence of a dynamic community where sociocultural activities were intertwined with the vibrancy of local life, despite the backdrop of challenges the community faced.
Flores goes on to say, "The more I think about it, the more I can't remember a single moment when music wasn't around us... at the center of all of it was the dance, always the dance." This underscores the importance of music and dance as central elements of identity and social interaction within the Bronx, particularly during a time of struggle.
He reflects on the broader societal context, stating that events surrounding the visits of President Carter and President Reagan highlighted the contrasts in the Bronx. He notes how these moments cemented an image of despair that still lingers in the national consciousness, yet simultaneously, street culture thrived, which profoundly shaped the identity of the area.
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