Levack's film captures the essence of teenage life in the early 2000s, poignantly illustrating the lack of dramatic occurrences in a teen's ordinary life.
The artist describes her film as an intervention against impending misogyny, aiming to reshape the narratives young male film aficionados embrace.
She reflects on her youth, highlighting that her protagonist's journey is less about romantic conquests and more about facing personal flaws and entitlement.
Levack humorously refers to her creation as a 'red-pilled Fabelmans,' offering a nostalgic yet critical view on film geek culture and its impact.
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