Mould's play engages with the historical policy of the Samaritans to listen to 'telephone masturbators' without judgment, raising profound questions about sex and acceptance.
The dialogue between Anne and Karen showcases their contrasting views on exploitation and feminism, illustrating their differing approaches to handling the calls.
The production captures the duality of the women's roles as volunteers, revealing their own loneliness and need for connection while grappling with the calls from isolated men.
Mould's portrayal of the Samaritans setting reflects both the absurdity of the situation and the compassion involved in volunteering, emphasizing the shared humanity of all.
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