In the post-war 20th century, the Global South saw significant influence from foreign architects, often invited by governments seeking modernity through visionary designs. While these collaborations elevated the architectural landscape and introduced innovative styles, local architects were frequently relegated to supporting roles, undermining their agency. This phenomenon raises critical questions about whether the ongoing reliance on foreign talent is a natural progression of globalization or a form of dependency. The case of Iraq illustrates the complex dynamics of this relationship against a backdrop of political change and modernization efforts.
In many post-colonial nations, foreign architects were commissioned to design landmark projects, symbolizing modernity and helping these countries assert a new identity through architecture.
The continued reliance on international architects raises questions about whether this is a natural outcome of globalization or a sign of dependency.
While local practitioners contributed contextually, the primary role often sidelined them, reinforcing the notion that architectural excellence was linked to foreign expertise.
As local industries grow, the engagement with foreign architects persists, highlighting an enduring relationship that challenges the idea of full architectural independence.
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