Aneta Grzeszykowska's photographic series, 'Mama,' features her daughter Francziska and a silicone replica of herself, challenging traditional perceptions of motherhood. In provocative and ambiguous poses, the daughter interacts with the effigy, illustrating complex emotions inherent in their relationship. Grzeszykowska's work prompts viewers to reconsider their understanding of familial dynamics, particularly the sacred bond between mother and child. The artist highlights her role as creator while inviting the audience to engage with the visuals rather than focusing solely on her presence behind the camera. Through her work, themes of care, playfulness, and tension emerge, creating a multifaceted narrative about motherhood.
In her series Mama, Aneta Grzeszykowska subverts the mother-child relationship by using a silicone replica of herself, inviting her daughter to play with and terrorize it.
Grzeszykowska's photographs blur the lines between viewer and subject, forcing us to confront our perceptions of motherhood and the roles we play in familial dynamics.
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