In The Deliverance, Lee Daniels puts a quirky spin on a story of possession and carves space for the intimate moments that matter to him, like a shot of three generations of women braiding each other's hair while lip-syncing to Valley of the Dolls' playing on TV.
The open-world action-adventure game Star Wars Outlaws strains under its own weight, but it comes alive in the claustrophobic, low-ceilinged spaces of its underground black markets, its gambling dens, its bars and cantinas.
As The Rings of Power returns for a second season, very little has changed both the good (the visual splendor, the wide narrative canvas) and the bad (sections that drag on too long and a general overserious and leaden vibe).
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