This bounding into the unknown is expressed throughout the album with light accent pieces, notably Joe Harvey-Whyte's plaintively played pedal-steel guitar, which shows up on four tracks, and Clíona Ní Choileáin's august cello performance, which shows up on two.
It's exemplary of the album's easy strength; her voice exudes confidence. It's a Sade-style miracle Yanya’s singing pumps out such force while hardly ever needing to rise above a whisper.
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