Van Gogh was not fantasising when he painted mountain landscapes with 'The Two Holes'

Van Gogh's inclusion of the Deux Trous in his landscapes challenges the notion of his fragile mental state, suggesting a deeper connection to his environment rather than mere imagination.

The Olive Trees represents a memory of the landscape painted from Van Gogh's studio at the asylum, highlighting how his surroundings influenced his artistic expression.

The exhibition at London's National Gallery provides a rare chance to view both paintings side by side, showcasing Van Gogh's unique relationship with the landscape of Provence.

Mountains at Saint-Rémy offers a more accurate depiction of the terrain, demonstrating Van Gogh's ability to blend memory with real geography in his art.

Read at The Art Newspaper - International art news and events