'The Thing With Feathers' Is Shot Down By Its Painfully Literal Metaphor
Briefly

The film adaptation of Max Porter's novella, directed by Dylan Southern and starring Benedict Cumberbatch, explores grief embodied as a giant talking Crow that haunts a grieving father. While the novella and its stage adaptation received acclaim, the film struggles to capture the intricacies of grief, leaning heavily into fantasy without sufficient narrative substance. The father's descent into madness as he confronts this physical manifestation of sorrow initially holds promise but devolves into a less impactful experience, highlighting the challenges of adapting such a symbolic idea for a full-length film.
Grief manifests as a giant talking Crow, taunting and attacking a grieving father, creating a unique but insufficient narrative for a feature film.
The adaptation struggles to depict the depth of grief, falling short of the impactful storytelling seen in Max Porter’s original novella and subsequent stage play.
Read at Inverse
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