'I grew up surrounded by the mechanics of production, he recalls. Perhaps this why his exhibition that opened November 30 at the Guggenheim Museum Bilbao takes on the form of a complex backstage, leading up to a final apotheosis.'
'My parents were less concerned with theology. They were more concerned with the sensory practices... I'm looking for ways to both reproduce immersive experience while simultaneously calling attention to how plastic your emotions are and how they can be fabricated.'
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