Costume designer Linda Muir worked hard to make Bill Skarsgård look like he's actually rotting in these clothes: 'We'd bring Robert into the process and we'd say 'What do you think?' And he'd say 'Go further, go further.'"
Orlok dates more than 200, 300 years before [the 1838 start of the movie], so his costuming reflects that time period. He was a living, vital nobleman, very entitled, very wealthy."
Muir then aged and distressed his fit to reflect centuries of decay. She even plotted the points of greatest wear and tear. 'The more skeletal he becomes, the more fabulous you can start to do the shoulder blades.'"
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