Alex Chinneck’s sculptures at Assembly Bristol transform ordinary street fixtures into dynamic art, engaging the viewer with hyperrealistic details and playful twists.
The two knotted street lamps and a twisted phone booth light up the streets at night, enhancing their surreal appeal and illuminating the blend of art and community.
These sculptures are more than just decorations; they actively participate in the urban design, making public space both functional and artistically vibrant.
Chinneck's works, such as 'First Kiss at last light', invite interaction and reflection, as they challenge perceptions of everyday objects in the urban landscape.
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