Red Rooms flips the serial killer genre by immersing audiences in the mind of Kelly-Anne, a sociopathic hacker obsessed with a serial killer's trial and crimes.
Director Pascal Plante describes the experience of creating Red Rooms as 'sadistic,' highlighting the film's dark exploration of obsession and true crime culture.
The film juxtaposes Kelly-Anne's cold fixation on Ludovic Chevalier with Clémentine's naive love for the killer, creating a deep psychological tension.
By using a striking visual style, Red Rooms places viewers uncomfortably close to its morally ambiguous characters, questioning the allure of true crime.
Collection
[
|
...
]