How the World of Classical Music Has Responded to TAR | Features | Roger Ebert
Briefly

"To have an opportunity to portray a woman in that role and to make her an abuser-for me that was heartbreaking," says Alsop.Field, who began working on the project in 2010, before the rise of the #MeToo movement, understands Alsop's anger: "It's an incredible statement.And I appreciate it," he told Terry Gross on NPR's "Fresh Air." "I think that it's a really important conversation to have.
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