Ficks believes that Todd Phillips' 'Joker: Folie À Deux' stands out as a monumental achievement, aligning it with previously overlooked cinema that pushes boundaries.
Ficks draws parallels between 'Joker: Folie À Deux' and Orson Welles' 'The Magnificent Ambersons', noting the boldness in both films to tackle complex social issues.
Ficks highlights the humanization of Arthur Fleck as a risky creative choice, potentially alienating some fans of the original 'Joker' while introducing bold musical numbers.
Ficks positions films like 'Joker: Folie À Deux' alongside notable works from directors such as Anderson and Peele, emphasizing their shared status as misunderstood masterpieces.
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