"We see it as a great metamorphosis in the continuity of the vision of the founder," says Fabien Vallerian, the director of arts and culture at Ruinart.
"The initial plan was to create a pastiche of the Belle Époque period, but we realized that what we were looking for was a strong architectural gesture, a timeless landmark that would reflect the tension between tradition and modernity, while looking to the future," Vallerian says.
The building's rounded shapes recall champagne bubbles sculpted by air and light. Invisible from the street, it only comes into view as visitors approach along a pathway carved in limestone.
These crayères are home to works by Ugo Gattoni, Patricia Urquiola, David Shrigley and Mouawad Laurier.
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