"One of the beautiful things about these gardens-some of which have existed for hundreds of years-is that they are actually remade every day," says Arsham, reflecting on his Zen garden rituals and their existential significance.
"It's really orthogonal," Arsham admits, of the two structures, clad entirely in prefabricated enameled-steel paneling, but he thrilled at the archeological elements of the project.
"I was looking for a special property with an incredible backstory that had potential for creating something new," explains Arsham, detailing his vision for the unconventional postmodern compound.
In Arsham's riff, with an oxidized bronze patina, and crystallization along her collarbone, she looks futuristic and ancient all at once, describing how he remakes iconic sculptures.
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