The exhibition spans the mid 1950s to the early 1970s—some of the most repressive years of Brazil's military dictatorship—when Clark moved away from geometric abstraction.
Clark's work, The I and the You, operates as a 'proposal', becoming complete only through interaction, showcasing her focus on sensory experience.
Gilane Tawadros emphasizes that Clark viewed her later works as a form of therapy, highlighting the transformative potential of art beyond aesthetic appreciation.
Whitechapel Gallery reflects on its history of supporting global artists, underlining its commitment to showcasing influential figures like Clark in a significant solo exhibition.
Collection
[
|
...
]