Delyth's early, unselfconscious black and white pictures of Welsh life in the 1960s and 70s preserve time with attentiveness and reverence, presenting a vivid portrait of resilience.
This quality persists in over 50 years of pictures on show at Delyth's retrospective, capturing both the silliness and seriousness of urbanisation and poverty.
Delyth’s work is both lively and hard to read, offering a fresh perspective on the hackneyed theme of poor children in a derelict urban context.
The exhibition tribute to Mary Dillwyn highlights a historical break from stiff Victorian poses, showcasing the evolution of capturing genuine human emotion and spontaneity.
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