The article discusses the origins and evolution of the term "uncanny" from Ernst Jentsch's early definition in 1906 to Freud's expansion in 1919, emphasizing its psychological implications. It highlights how artists, particularly within the Surrealist movement, adopted this concept to instill anxiety and tension in their works, exemplified by Meret Oppenheim's iconic 1936 piece. The forthcoming exhibition 'Uncanny' at the National Museum of Women in the Arts aims to explore this theme through a feminist lens, featuring artists from different eras and also touching on the relevant idea of the 'uncanny valley.'
In the 20th century, Surrealists utilized the concept of the uncanny to create mystery and tension in their art, profoundly impacting modern and feminist narratives.
The upcoming exhibition, 'Uncanny,' at the National Museum of Women in the Arts will showcase over 60 artworks exploring the concept through feminist themes.
Collection
[
|
...
]