Robert Eggers's new version of Nosferatu redefines Ellen, a character traditionally seen as a victim. Lily-Rose Depp's portrayal emphasizes her pursuit of redemption, showcasing a significant evolution from her 1922 counterpart.
Eggers's female characters are often selfish and inscrutable due to unsympathetic, patriarchal societies; their motivations are complex, as seen with both Thomasin and Gudrún, characters who navigate their patriarchal struggles compellingly.
The women in Eggers's films are characterized by sympathy yet ambiguous motivations, which he subverts in his retelling of Nosferatu with a more straightforward and relatable portrayal of Ellen.
Ellen's transformation embodies a shift from being a willing victim to a character seeking self-actualization. Her narrative suggests a deeper exploration of identity and desire against patriarchal constraints.
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