Recent discoveries reveal that ancient Greek and Roman statues were not only visually captivating but also perfumed, enhancing their lifelike appearance. A study published in the Oxford Journal of Archaeology highlights historical texts and archaeological finds from Delos, Greece, which reference the use of scented oils and perfumes on statues. Researchers, including Cecilie Brons, argue this indicates viewers engaged with sculpture through both sight and smell. Alongside these findings, ongoing research emphasizes that color was integral to ancient sculptures, contradicting the prevalent belief of their whiteness.
According to researcher Cecilie Brons, ancient statues functioned as both a visual and olfactory experience, suggesting a deeper engagement with art than previously recognized.
Roman writer Cicero and poet Callimachus detail the use of perfumes and scented oils on statues, indicating that ancient sculptures were treated with care to evoke life.
This study adds to decade-long research showing classical sculptures were often vibrantly painted rather than merely white, challenging common misconceptions about ancient art.
Euripides’ play "Hypsipyle" describes vibrant painted reliefs on temples, emphasizing that ancient practices involved creating visually engaging and colorful representations.
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