I love reading about bands. I've read the AllMusic reviews of my favorite albums multiple times over. If my Apple Music selection has a writeup to go with, I'll read it. And I can read a good band book in a matter of hours. I'm not a professional nostalgia whore, but reading about these bands really does put me back in that time, and in that headspace. Like the music itself! I can't get enough of that particular high.
It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.
Intense listening capabilities from these exquisite players which required, more than anything else, a great deal of trust. They posited about thematic structures, which somehow got agreed upon, live in the moment through a collective groupthink. Right there on stage. No words spoken, just an exchange of bizarrely intense looks. Ranging from 'we're almost there' to 'don't you dare.' That's trust, people.
With votes tallied from about 50% of polling places, incumbent President Yoweri Museveni is projected to win reelection in Uganda. Also, Indian authorities continue searching for an elephant that's already killed 22 people in the first two weeks of 2026. And, Sara Mardini, who was arrested for helping rescue migrants from the sea in 2018, is acquitted of her charges in Greece. Plus, searching for the best mıhlama for breakfast in Turkey.
We both live in maybe the most impractical place if you want to be a successful DJ, laughs Alice Marie Jektevik, one half of Article 3, a Sami female DJ collective. Jektevik, 36, and her collaborator, Petra Laiti, 30, reside in a rural village in the far north-east of Norway. But living in Sapmi the region across northern parts of Sweden, Norway, Finland and Russia traditionally lived in by Sami people has proven to be central to their success, providing the inspiration for much of their work.
In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.
I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.
"Many found the music offensive, the dancing objectionable, and the popularity of both with young people verging on a mental health crisis." So writes music historian Susan C. Cook about ragtime, the heavily syncopated ancestor of jazz that arose in the late 1800s. Like all things, ragtime's subversiveness faded over time, and, a century later, the works of Scott Joplin and other practitioners had been relegated to carnivals and fairs, their jaunty piano melodies now evoking quaint notions of old-timey fun.
Take the title of The Spiritual Sound as a kind of syllabus, and you'll find a heady list of musical reference points that Agriculture aim to exalt. The jarring intros of black metal songs that make you feel like a portal to Hell has opened inside your headphones. The sound design on later Scott Walker arrangements meant to conjure a Biblical plague. The slow, majestic build of post-rock epics that hold back their climax for maximum transcendence.
In early January, at the Shrine Auditorium in Los Angeles, a concert benefit for Palestine and Sudan conjured all the fury of an acoustic night at the local coffee shop. Musicians played stripped-down songs on a stage decorated with rugs, floor lamps, and couches. Members of the audience, mostly 20-somethings and teens, leaned in and filmed intimate performances by their favorite cult artists.
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