#tom-atcheson

#tom-atcheson

"The first step towards a cure is admitting you have a problem," artist Josh Kline writes, highlighting the inequities in New York City's real estate market and its impact on art.

I wanted to be a great artist, not in the slang use of 'great,' but fantastic—reaching the soul of other people. This ambition drove Pat Steir throughout her life.

"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."

Last summer, Alexander Wang bought the Beaux-Arts HSBC bank on Bowery and Canal for $9.5 million in cash. At the time, the fashion designer declined to say what he was planning to do with the domed 1924 landmark, which HSBC had shuttered a few years earlier. Now, Wang and his mother Ying - one of the co-trustees on the deed - have announced that they will be opening an Asian American cultural center, Wang Contemporary, in the 17,600-square-foot space at 58 Bowery.

AT FIRST GLANCE, the phrase "avant-garde advertising" might seem like a contradiction in terms: The avant-garde is assumed to be inherently anti-capitalist and the realm of advertising crassly commercial. But the involvement of avant-garde artists with advertising is in fact rich, complex, and long-standing, encompassing a full century of collaborations, critiques, and reworkings of all sorts. That entanglement-in all its diversity-is the topic

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

In his graphic design work, Aldon transforms periodic tables and dense masses of information into maximalist pieces of design, expressing information whilst also challenging the impossibility of taking it all in. Data sprawls across screens and pages, overlapping in overloads and feedback loops, communicating more the aesthetic of information rather than its substance, playing with images we have all seen in science classes or colour palettes. These are exploded infographics.

One of the great things about making art is discovering something that sprang from seemingly nowhere. In retrospect it looks logical but in the moment it's an epiphany and suddenly it's exciting to explore it. My studio is across the street from Creative Woodworking and they have a box where they put scrap wood for anyone who wants it and it's irresistible to me.

"As I stood and looked at it on a drizzly gray day," John Yau writes of looking at a radiant painting by Edward Zutrau, "I forgot that it was raining." That's what art can do - stop you in your tracks, make you forget absolutely everything save for that essential encounter between you and the work.

Death Anxiety Comics Inspired By Our Fears "Sunkissed": Beautiful Feminine Illustrations by Emilija Savic Artist Creates Honest Illustrations About Relationships And Everyday Life Artist Yana Tarakanova Creates Superb Explicit and Bizarre Comics About The Society The Dark, Incredibly F*cked Up Comics Of Joan Cornella Chris Keegan by Cosmic Creatures 6 Feet Covers: Duo Artists Re-Designed Iconic Album Covers To Promote Social Distancing Artist Spent Three Years Painting Her Readings Mom Prepares Healthy Meals As Cartoon Characters For Her Son How To Teach Yoga Like Slav: Top 10 Drunk Yoga Positions

One recent weekday morning, the British painter Peter Doig arrived at a bonded warehouse-a cavernous brick building-about a mile south of the River Thames, but not subject to the import taxes of the United Kingdom. He buzzed through security and entered a windowless white room, where he settled in for a long day. Awaiting him were a series of etching prints that had been brought over from the United States to be signed by Doig before being put up for sale.

Modern Art is pleased to present Polygrapher, the first solo exhibition by Joseph Yaeger since announcing his representation by the gallery, and the inaugural exhibition at their Bennet Street gallery. Polygrapher denotes both the exhibition title and a text written by the artist, published in the exhibition's accompanying booklet. Taking the form of an interrogation the artist underwent attached to a Stoelting UltraScribe--and in which only the answers have been transcribed--it creates a framework for the experience of the subsequent paintings.

Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.

Starting with the inherently gridded layouts of LEGO baseplates, Katherine Duclos creates vibrant, undulating compositions of pastels and gradients. The Vancouver-based artist employs the colorful bricks in a variety of geometric patterns and low-relief textures to achieve dynamic compositions that appear almost kinetic, adding her own effects with paint. The impression of movement, paired with the tactility of the toy pieces, transforms a familiar object we typically associate with childlike play into a elegant assemblages cradled in wood panels.

I work outside, carving and shaping the stone. Outside my house, I have a table, an extension cord, and tools. It's very cold and I have to wear all my winter clothes. When it's too cold, I do the filing and finishing work inside after I shape it outside. I listen to all kinds of music. I listen to Eminem all the time; his albums are all my favorites. For drawings, I work at Kinngait Studios or at home on my kitchen table.