#tiny-desk

#tiny-desk

The first episode challenges Shakespeare's vision of a villainous Richard III, while a future episode will consider the Ross and Rachel of early modern history, Henry VIII and Anne Boleyn.

Bohème Out of the Box will be performed by guest artists and San Francisco Opera's Adler Fellows with piano accompaniment, creating an intimate experience for audiences.

The Walking Man has been spotted around various New York City subway stations, awarding fans with prizes and terrifying unsuspecting straphangers with an unsettling smile.

Win two tickets to OMSI's newest exhibition, TITANIC: The Artifact Exhibition, opening March 21! Explore more than 100 real artifacts recovered from the ocean floor, and learn about life aboard the Titanic and the deeply human stories behind one of history's most enduring legends.

Greg has been perhaps my biggest supporter of this project since it started. Greg commissioned the first batch of duos. A while back, he asked me how close I was to getting the first half of them done because I'd always talked about doing two volumes, a book one and book two of the forty-four duos, the way Bartók has them in two volumes.

The opener "Not Not Not" is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymmetrically, grooving like a flat tire.

The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.

Chris Thomas, a notable composer, has created music that resonates with the styles of John Williams and Danny Elfman, particularly in his theme park compositions.

All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.

One of the under appreciated perks of living in the DC area is the unfettered access to free cultural and educational experiences. It's easy to forget how lucky we are to have spaces like Millennium Stage -until you visit venues in other cities and are required to pay *gasp* an entrance/ticket fee. Now that the temperature is back in double digits and the snowcrete is finally melting, there's no better time to venture out to Millennium Stage.

In a dimly lit, dusty church basement, eight people meet and place their cellphones into a wooden box. Each member of the octet struggles with a dependency upon the very tool that enables us all to enjoy a level of historically unprecedented convenience - the internet. Like the characters, audiences are called to unplug and immerse themselves in the world of Studio Theatre's production of Dave Malloy's unique a capella musical, Octet.

At only 17 years old, the Eugene, Ore., native Maria Telesheva is already an accordion wizard. I have trouble simply pushing the right button in an elevator. So watching Telesheva's fingers fly gracefully over more than 200 buttons on her bayan, as the instrument is called in Russia, is a thrill. She makes the tightly braided voices in J.S. Bach's thicket of counterpoint sing and dance.

Tiny Desk Radio co-hosts Bobby Carter and Anamaria Sayre present performances from the next generation of Americana music: Sierra Ferrell, whose sound is firmly planted in the roots tradition; Wyatt Flores, an Oklahoman "red dirt" country singer; and MJ Lenderman, an indie rocker who doubles as the guitarist for the band Wednesday. Sierra Ferrell: Tiny Desk Concert Wyatt Flores: Tiny Desk Concert MJ Lenderman: Tiny Desk Concert

Angels exist, I swear! If you were at the sold out Austra show on Monday, you would have witnessed Portland-born, Berlin-based multidisciplinary artist Colin Self descending from the heavens to bless us mere mortals with their angelic vocals and cherub-like presence. If you're looking for something to believe in, believe in music-it's one of the very few things with ability to unite complete strangers in dialog, movement, and tears.

A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.