We, the undersigned, warn that the conduct of the United States and Israel has inflicted irreversible damage on humanity's cultural heritage and, in light of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, may give rise to violations of international law.
The Islamic Republic, which killed hundreds of thousands of people in Iraq and Syria, killed and tortured hundreds of thousands of Iranians in the most brutal way after all these years, and which now wants to have nuclear weapons: we, the Iranian people, who have lived with them for half a century, know how ridiculous their claim to be peaceful was.
The Iranian women's soccer team is set to leave Malaysia on Monday night, ending days of uncertainty after most of the seven squad members who sparked a diplomatic furor by seeking asylum in Australia reversed their decisions and rejoined the team in Kuala Lumpur.
If they let me, I will stay in Van until the war ends. If the war doesn't end, maybe I'll go back and die. Pourkaz is one of the 3.2 million people in Iran who the U.N. refugee agency estimates have been displaced since the U.S.-Israel war with Iran started. While some are seeking shelter in safer parts of Iran or one of its neighboring countries, others are returning from abroad, heading toward the fighting to protect their families and homes.
The article explores Gourounlian's formative experience of fleeing Armenia during his childhood, which shaped his perspective and resilience. He discusses the contrast between his early life challenges and his later success in the entertainment industry, providing context for understanding his journey from displacement to becoming a recognized television personality and judge on Dancing with the Stars.
We at the Organisation for Women's Freedom in Iraq condemn in the strongest terms this cowardly terrorist crime, which we consider a direct attack on the feminist struggle and the values of freedom and equality.
Distance does not soften the terror. It only deepens my helplessness. In moments like this, I realize that geography is not measured in miles, but in attachment. War rearranges distance. These days I find myself returning to "The Conference of the Birds," the 12th-century poem by Attar of Nishapur, seeking meaning through ancient wisdom about spiritual journeys and transformation.
There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.
An artwork is not created when an artist finishes it. It is created when it's visible to an audience and when it becomes discourse. If there's no ecosystem, nothing works. Central Asia is in the midst of an unprecedented investment in such art infrastructure, including new permanent venues, purpose-built museums, and international biennials.
Four years into Russia's full-scale invasion, Ukraine continues to fight a war that has reshaped every aspect of its public and private life. Since returning from my recent brief journey to my home city, I have found myself having the same conversation repeatedly: Lviv is far from the frontlines, so is life simply normal there?
Their gathering still had to be dispersed, but the enthusiasm that Ored Recordings inspires even among enforcers of the law speaks volumes about the power of what Khalilov and his friend and label co-founder Timur Kodzoko call punk ethnography: the recording of religious chants, laments and displacement songs at family gatherings, local festivals, in people's kitchens, to fight against the erasure of Circassian culture.
A new law empowering Turkey's central government to seize historic properties from local authorities is raising fears that heritage sites are becoming the latest front in a wider campaign against opposition-led municipalities. Among the sites at stake are cultural venues run by the Istanbul municipality, whose mayor Ekrem İmamoğlu launched an ambitious conservation drive and expanded cultural programming before he was jailed last year after announcing plans to run for president.
Whether they were saying their prayers, or mouthing the anthem, it was clear to anyone watching on that the players had received the message from home that they needed to demonstrate symbolic solidarity with their homeland, currently under siege. Catherine Ordway, an Australian lawyer, academic and sport integrity consultant who has worked with numerous international sporting bodies, told DW.
The US-Israeli war on Iran is exposing deep divisions among Iranians in the diaspora and in Iran. From inside Iran to the diaspora, Iranians are deeply divided about their country's future. With Ayatollah Ali Khamenei gone and Reza Pahlavi, the son of the former shah, waiting in the wings, what do conversations about regime change reveal about the spectrum of what Iranians really think?
While Armenia has long been recognized for its rich and storied historical art and culture, the country's contemporary art scene is emerging as one to watch on a global scale. Armenian artists stand out for their ability to synthesize their own cultural heritage with avant-garde approaches to contemporary artmaking, bridging tradition with self-expression. Paralleling broader rising critical and market interest and investment in regions outside of the West, ARAR Gallery of Utrecht, the Netherlands, is at the forefront of Armenian art's mounting international presence.
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
"The show is about giving the pen back to the writer, giving the paintbrush back to the artist, during this time of genocide," the Ridikkuluz told Hyperallergic in an interview at the gallery. "And when there's been so much censorship, these are artists that might not have been able to do this anywhere else."
the artist's newest body of work responds to an urgent question precipitated by the catastrophic events of the past year: What does one do when the world collapses? The works attempt to make sense of her experience of the fire and its enduring aftermath, while continuing her exploration of the poetics of loss, displacement, and migration. Kahraman views these works as an offering, a libation, to a burning world.
Vance was greeted with a red carpet, an honor guard and an official delegation before he was driven to a meeting with Armenia's Prime Minister Nikol Pashinyan. Speaking to reporters before the meeting, Vance said, "The prime minister has been a great friend of ours and a real ally in peace and development in this region (of) the world."
