#seasonal-colorways

#seasonal-colorways

In 1971, Manolo Blahnik created shoes for the designer Ossie Clark's catwalk show in London. Relatively new to shoemaking, the Spanish designer forgot to put steel pins in the heels of the shoes, which meant that models wobbled, unbalanced, down the catwalk.

'In this paper a novel optical illusion is described in which purple structures (dots) are perceived as purple at the point of fixation, while the surrounding structures (dots) of the same purple colour are perceived toward a blue hue.'

The convenience of sourcing online is fraught with more pitfalls than most of us want to admit. Try finding adequate photos of a vintage piece's condition-close-ups of the fabric, video of damaged areas, any images of a piece's rear or underside!

Designed by artists and designers from across the globe, each wallpaper comes in a variety of screen resolutions and can be downloaded for free. A huge thank-you to everyone who shared their designs with us - this post wouldn't be possible without your kind support!

My husband and I just upgraded our apartment here in Germany to one with much more space. The downsides of this is we have hard marble floors and a tall-ceilinged living room (oh woe is us!). It's very echo-y and looks directly into our neighbors across the street. The windows have external shutters, so light-blocking isn't needed, but we'd love to get

Architect-turned-interior designer Anh Ly, founder and CEO of Mim Concept, explains why the color surged in the first place: "Butter yellow had a magic moment because it felt optimistic and comforting, especially during a time when people were craving warmth at home." Now, that emotional pull is also what's working against it. "It fell short on resale since it's a very emotion-specific color. Buyers tend to see it as personal rather than neutral, which makes it harder for them to imagine themselves in the space," Ly adds.

The 2026 Color Collection from 3form highlights hues that have anchored design across generations and cultures for thousands of years. The brand's sixth grouping is a departure from last year's palette, which emphasized the emotional power of select shades. With the guiding theme "Color that Connects," the new line features tones that are celebrated by communities around the globe. Inspiration for the palette came from exploring natural pigments used to make certain colors, and how they were found in various locales over time.

We examine the online debate ignited by Pantone's Colour of the Year, Cloud Dancer. This episode dives into the discussion prompted by Pantone, unpacking the uneasy relationship between colour and fascism. From hardline efforts to regulate colour in public life to the ways vibrancy and maximalism reassert themselves, we explore how colour becomes a quiet form of resistance across art, fashion, film, and design.

"color drenching" is when people paint an entire room one hue, including the ceiling, wainscotting, and any trim.

That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.

Stylist and writer Orla Dempsey tried on some ties for a week, following a big fashion trend for 2026 and following in the footsteps of some famous faces

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.

Sun-In, but all grown up. Boy blondes start with a dirty blonde base, brightened by golden balayage and babylites for a result that reads more beachy than bottle-made. Take Margot Robbie during the recent Wuthering Heights press run, for instance - a nod to kid hair colors, with warmth and lightness that doesn't require the commitment of a full dye job.

A more-or-less universal pivot to hybrid working has further blurred the lines between what to wear to work and what you actually want to wear to work. Never before has comfort been such a priority when it comes to corporate dressing. It's why a dress styled with a sweater, jumper or cardigan has become the ultimate sartorial solution to carry your work wardrobe from this wet spell through to spring.