The pop-up is structured as a composed interior with garments, furniture, artworks, and editorial elements, allowing each to contribute to a unified reading of the brand.
The installation invites visitors to look through the tangible surfaces to recognize the traces of the creators, visions, and identities that brought them to life.
Croud helps brands unlock growth with a Return on Intelligence, applying innovative intelligence across brand strategy, integrated media, social, creative, and data. This approach emphasizes transparency, speed, and incrementality-focused measurement to fuel growth and unlock true value.
Rafael Leao posted a photo with Francesco Camarda, the two sharing the sponsorship of Adidas. Today, the Portuguese took centre stage in a different way: he walked the runway for Adidas' mega show. He was joined by other top-flight footballers, including Davide Frattesi, Federico Dimarco, and Giacomo Raspadori.
Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum. The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen's original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.
Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.
The end of the show did not mark the end of the trip. Back at the Le Grand Bellevue the group divided between fireside hot chocolates and the hotel's spa. The hotel's Le Grand Spa is over 3,000 square metres and has eight different types of saunas, several ice showers, foot baths and an outdoor bubble pool (named thus as it's bigger than your standard jacuzzi).
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
Travelling for art can be incredibly virtuous and culturally rewarding, like collecting souvenirs for your eyes (and from the post card rail in the gift shop). Remembering to research what is on before I book flights is a lesson I learnt all too well after I missed the Metropolitan Museum's fashion exhibition in 2016 by one day. As a fashion obsessed 20 something, I did not take this well and have since improved my itinerary planning and exhibition calendar checking.
Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.
It's an interesting connection between that table and these clothes, because Marc Jacobs has been in Wonderland for a few seasons, making garments swollen with great buboes of fabric and wadding that distended and deformed the body, like majestic mutants. They were wondrously otherworldly, outscale and, to most people, unwearable. Intentionally so. This collection, by contrast, brought Jacobs literally down to earth, taking his models off teetering platforms and into plain old high heels.
When Regalia, 52, pushes the Ferrari out of a storage facility into the Monterey sunlight, the metallic paint ignites with a pale opalescent fire, shimmering in shades of honey and oxblood. Imagine a Ferrari-shaped pool filled with ancient brandy. The Lusso, designed by the famed Italian coachworks Pininfarina, is regarded as one of the loveliest of Ferrari's touring cars, but no Lusso ever left the factory with half the hand-rubbed luster this car has.
Wax London is here to get us all outdoors this spring with its new-season collection 'The Outside is On'. Keeping the brand's balance of timelessness, craft and wearability, the new collection is a celebration of the optimism of spring - and yes, that means colour.
