#rachel-simon-marino

#rachel-simon-marino

BookCon aims to have something for every reader, whether reclaiming a love for reading or engaging with BookTok, creating a balance of scale and intimacy.

Quinn's founder, Caroline Spiegel, described Ember & Ice as a mashup of Brokeback Mountain and A Court of Thorns and Roses, featuring two young men who have a secret romantic relationship.

Catherine Lacey reads her story 'Rate Your Happiness,' from the April 13, 2026, issue of the magazine, highlighting her narrative style and thematic depth.

Valeria Luiselli, an acclaimed author, discusses the intricacies of Julio Cortázar's 'The Night Face Up,' highlighting its themes and narrative structure that intertwine reality and dreams.

Ruins, Child is constantly spliced and refracted, presenting a group of people watching a familiar film of themselves and their elders, while also assessing the beauty of crumbling buildings.

"I've heard some people say, 'Oh, I've watched the show,' or 'I've read the series, and that was the first queer romance I ever read,' says Stacy Boyd, executive editor at Harlequin Books, who works directly with Reid. 'So it's opening doors that haven't been opened.'"

She wrote 10 books while she was here, and that includes children's books, you know, volumes of poetry. It was a busy and bustling place back then. Lucille and her husband, Fred Clifton, had six kids running around. Neighbors were in and out. Artist friends were over constantly. But Lucille Clifton managed to carve out time and space to write.

Dilara, the protagonist of this début novel, is consumed by the absence of a stable home in her life. She and her family flee Turkey, where she is from, after a failed coup in 2016. When they end up in Italy, something inexplicable happens: Dilara's bathroom transforms into a cell in an infamous prison on the outskirts of Istanbul.

You are leaving work, your suit still damp from the morning's downpour, the skin on your palms peeling. You are clutching two supermarket bags, tins of cream soup and tuna knocking against one another. The rain is hard and your anorak is cheap. You are on your way to Stockbridge, to your parents' house, which only your father inhabits now that your mother is gone.

Listen and subscribe: Apple | Spotify | Wherever You Listen

Skip to main content Illustration by The New Yorker; Source photograph Michael Lionstar Listen and subscribe: Apple | Spotify | Google | Wherever You Listen Sign up to receive our weekly Books & Fiction newsletter. Joseph O'Neill reads his story Light Secrets, from the January 26, 2026, issue of the magazine. O'Neill is the author of a story collection and five novels, including Netherland, which won the PEN/Faulkner Award for Fiction in 2009, The Dog, and Godwin, which was published in 2024.

A writer is a kind of magician. Their job is to create living, three-dimensional people out of the ordinary stuff of ink and paper. This is no easy task, because readers can't literally hear, touch, or observe a character. Everything that defines a human being in real life-the physical space they occupy, or how they smell, feel, and sound-is stripped away, replaced by description. But authors have one major, mystical advantage: They can show you what's happening inside of someone's brain.

For those unfamiliar with the beloved heroine, Samantha is one of the first three historical characters introduced by American Girl in 1986. Samantha, Swedish immigrant Kirsten and WWII homefront heroine Molly demonstrated courage, compassion and resilience. Along with an 18-inch doll, each 9-year-old character was featured in a series of easy chapter books; kids could follow each fictional story as well as the historical context surrounding it.

Sophia Stewart poses a choice that many biographers struggle with: "what to do with the boring bits."

In addition to writing fiction, you're a staff writer for the and a screenwriter. How do you think of your career? I think of myself as a storyteller. I'm nosy, so once I'm telling a story, I want to know what happens. I do find, with fiction, I can't toggle in and out of it. It's like acting, where you have to stay with that character, in that world.