#post-pandemic-arts

#post-pandemic-arts

Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

April's lineup at the Brooklyn Museum includes programs around 'Seydou Keïta: A Tactile Lens,' designed for accessibility and interactivity, featuring stroller tours for caregivers and infants.

KAWS has shown an uncanny ability to connect with a wide variety of people. Younger buyers clamor for his $50 Uniqlo T-shirts, while trophy-hunting collectors shell out millions for paintings.

Aliza Nisenbaum's vibrant portraiture portrays her subjects in bold chromatics, echoing her larger project, a celebratory mural for the Obama Presidential Center.

A new report found that museums and cultural centers founded and led by people of color in the Northeast face severe staffing shortages, with over a third of responding institutions lacking a single full-time employee.

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

The 6th edition of Earth 2026 juried awards invites artists worldwide to explore and express the power, beauty, and resilience of our wounded planet as we approach World Earth Day.