#memory-and-history

#memory-and-history

Her installations and individual sculptures combine a wealth of things and techniques, often all at once, from found objects to time-honoured sculptural materials like bronze and marble; and from carving to casting and crocheting. Colour plays a vital role in her work, in the varied hues of textiles or plaster.

For Kleber Mendonça Filho, filmmaking is an act of both provocation and preservation. Mendonça was born in 1968, in the early years of a ruthless military dictatorship-a time when cinema, like much else, was harshly constrained. His mother, Joselice Jucá, was a historian who studied Brazil's abolitionist movement, and she taught him that filling gaps in the cultural memory was a way to expose concealed truths. In Mendonça's work, memory functions as a tool of defiance.