#marco-grassi

#marco-grassi

The Re-Compact seat is manufactured entirely from recycled plastic derived from post-consumer waste streams and processed through Nextchem's NX Replast™ technology, according to the company press release.

Throughout its history, Spain has been shaped by a wide range of cultures and civilizations, including Muslim, Phoenician, Roman, Greek, Carthaginian, and Visigothic influences, which are reflected in its architecture and design.

Simplicity is not the goal. It is the by-product of a good idea and modest expectations. Paul Rand's La Linea exemplifies this principle, evolving from a cookware mascot to a beloved character.

'At the Piccolo Teatro Studio Melato, we have envisioned a series of spaces that express the restorative power of water, creating exquisite moments of transcendence,' explains Flowers.

The exhibition presents approximately 30 works by Alighiero Boetti, beginning with a core group from the museum's permanent collection, including early works from the 1960s.

The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.

Geddis' sculptures evoke an enigmatic tension between identity and glyph, teetering between abstraction and figuration like retrofuturistic icons, reflecting his diverse cultural influences.

Glowtile works around a deceptively simple concept: glazed ceramic tiles, each fitted with an egg-shaped handblown glass diffuser set inside a ring of anodized aluminum. Two tile formats make up the system: a square 15×15 centimeter module and a rectangular 30×10 centimeter one. You can arrange them in grids, stagger them, mix both formats together, install them on walls, ceilings, or even set them on the floor to shoot light upward.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

"We are thrilled to bring this immersive experience to New Jersey. Whether you're an art-lover, history enthusiast, or someone encountering this masterpiece for the first time, this exhibition allows you to experience Michelangelo's genius in an intimate and unforgettable way."

Benedetta, as in the best stories of craftsmanship and innovation, leaves her garage. The domestic space, which sheltered and inspired her for years, is no longer enough. Demand is growing. Ideas are multiplying, and with them, collaborators.

From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany's Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures.

Bronze, when shaped by the right hand, holds time in suspension—an argument against decay, against disappearance, against the quiet erasure of the human story.

The collection comprises , , and sculptural elements developed through repetition, modularity, and consistency. By working with standardized components, the project examines how structural logic can inform form, allowing typically concealed systems to become spatial and perceptible. Designed by Claudio Larcher and Sofia D'Andrea, the collection is based on metal drywall guides, technical profiles usually embedded within partition walls and left unseen. These industrial elements are extracted from their conventional context and reconfigured into objects with a linear and uniform architectural language.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

Negative space is a formidable tool in design, underlining the philosophical power of absence. Many of our most powerful designs are celebrated for what they have, and also what they do not. Increasingly, a "more is more" approach is tied with maximalist design, with little attention paid to the nuances of creation. This does not necessarily have to be the case - we can ask of more from our interiors without sacrificing refinement and style.

Glass, in particular, exists within a lineage of techniques that have changed surprisingly little over centuries. The furnaces may burn hotter and the tools may be refined, but the core dialogue between heat, gravity, and human hand remains remarkably intact.

Studio Rossettini revitalizes House LB into a contemporary single-family residence with playful spaces that puts functionality and quality of life at its center. The from the early 1960s in Padua, reimagines the existing structure through its renovation, freeing up the perimeter walls and creating a fluid sequence of spaces that flow between the kitchen, dining room, and living room, with furnishings integrated into architectural niches.

The Rhinoceros in the Room, an inflatable installation by Itamar Gov, occupies the central volume of Kunstmuseum Magdeburg in Magdeburg, Germany with a single, overwhelming gesture. Installed inside the former monastery church that houses the museum, the project places a larger than life rhinoceros directly in the nave, its bulk stretching from aisle to aisle and rising toward the Romanesque vaults, so that the animal becomes the primary spatial condition of the building rather than an object within it.