Brighton was rarely described as a scene, despite being home to Nick Cave and Paul McCartney and hothousing a surge of remarkable young talent that's still thriving more than 20 years later.
The first RBS show, back in 2021, was like nothing most of music fans had ever seen, attracting over 2000 people from all over the country.
The Fertile Ground Festival of New Works is just around the corner, while several other anticipated shows are also about to open, including the first co-production between Portland Center Stage and Portland Playhouse, which begins previews April 19.
On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.
Tone Freq Studios captures pristine acoustics and emphasizes analog warmth, creating a tactile space that values collective experiences over the convenience of digital recording methods.
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
You could go anywhere in America and argue with some success for the cultural impact wrought by most of the once-subcultural stars of Lizzy Goodman's oral history of New York's post-9/11 rock scene, 'Meet Me In The Bathroom.' Or, for God's sake, Jeff Chang's history of hip-hop, 'Can't Stop Won't Stop.' But to explain this era to someone who hasn't devoted their psyche or youth to 'indie rock,' you'd need to spend a whole dinner, and maybe a few drinks afterwards, justifying why the tentpole events that 'Us v. Them' returns to multiple times in its 300-page run mean anything.
Gangstagrass occupies a lane that sounds unlikely on paper and surprisingly natural in practice. The collective blends bluegrass instrumentation with hip-hop rhythms, pairing banjo rolls and fiddle runs with sharp lyricism and boom-bap backbone.
Craft beer has always been about creativity and community, but when it teams up with rock music, it becomes something truly special. In this post, we'll explore some of the most iconic collaborations between craft breweries and legendary bands, highlighting how these unique brews reflect the spirit of rock culture. ## The Rise of Band-Inspired Brews As craft beer continues to dominate the beverage landscape, breweries are increasingly looking to popular culture for inspiration. Band-inspired beers have become a staple, and for good reason. They not only attract fans of the music but also tap into the stories, values, and identities that these bands represent.
Los Tigres del Norte are ready to greet their loyal Bay Area fans. The famed Mexican norteno act which kickstarted its career in San Jose way back in the mid-1960s brings its La Loteria Tour to San Francisco on Feb. 20. It's your chance to see one of the most important Bay Area bands of all time, one that has attracted fans around the globe with its brand of thoughtful corridos that speak to the Latinx and immigrant experience.
A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.
I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.
From Super Bowl fun to the return of a beloved conductor and the Odo akland Interfaith Gospel Choir, there is a lot to see and hear in the Bay Area this weekend and beyond. A stroke of luck for Swims fans Teddy Swims is set to headline the Super Bowl LX Tailgate Concert presented by NetApp the NFL's top pregame party at Levi's Stadium in Santa Clara on Feb. 8.