On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.
The allure of the project is that the magnetic tape doesn't reproduce audio cleanly because the oxide coating introduces a slight instability in playback speed. But these are the 'flaws' that Iulius Curt is after, allowing the resulting sound to have that lo-fi warmth that's ideal for ambient listening.
'Forbidden Fruits' has been widely hailed as a 'cult classic' by critics and fans, but labeling it as such too soon risks undermining the process that establishes a film's cultural significance over time.
Stuart Cinema and Café made history in 2018 when it became New York's first Black Latina-owned movie theater, establishing itself in the Greenpoint neighborhood as both a creative hub and community gathering space. Founded by producer and entrepreneur Emelyn Stuart, the 50-seat venue was born out of her frustration with the barriers facing independent filmmakers-from distributor gatekeeping to outdated screening facilities and inattentive staff.
As audiences increasingly gravitate towards content tailored for mobile devices, the adaptation of traditional storytelling methods to fit vertical formats feels like a natural progression. Vurt sees its platform as a solution that aligns with this future. The success of "micro-drama" platforms like ReelShort and DramaBox has proven that there is a sizable market eager for engaging, bite-sized content.
Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.
It's so pure. People talk a lot about the cinematic experience, going into a big theater and sharing it with a lot of people. That's important. But when you distill that into its tiniest form, when you make the screen as small as it can be and fit as many seats as possible, it still works. At least for Davey. That feeling doesn't go away.
Usually, my handbag is a medley of digital devices and life essentials my phone, iPad, chargers, keys, tampons. But lately, you're likely to also find a half-done newspaper crossword, a ton of stationery, the book I've restarted three times, and whatever scraps and trinkets I've picked up throughout the day to put in my scrapbook. Analog is back, and it feels like we need it more than ever.
Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.
A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days
Through the atmospheric lens of New York-based photographer Geordie Wood, a short film called " Divers " glimpses a day in the life of an elite high-diving camp. A moody yet bright setting evokes the way sun still glares when tucked behind clouds or glints off the surface water, and individuals are alternately silhouetted and spotlit by its glow. With cinematography by Adam Golfer and editing by Luke Lorentzen,
The Sundance Film Festival concludes its 2026 edition this weekend, marking its final year in its iconic home of Park City, Utah, before moving on to its new host city in Boulder, Colorado next year. As we continue to look back at the hefty legacy of queer films that premiered there over the years, this week we'll revisit a landmark lesbian drama that put a beloved '80s icon back in the spotlight, and kickstarted the career of one of the most representative filmmakers of the New Queer Cinema wave.
