Ardeshir displays a confident command of the keys, building an insistent right-hand motif on the opening track that creates a foundation for saxophonist Rhys Sebastian's drawn-out notes.
People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
Mumbai is a city of simultaneities. Its urban fabric is dense and restless a patchwork continually fractured by moments of porosity. Narrow alleys suddenly unfold into courtyards, and fleeting intimacies emerge between strangers in crowded trains. Rhythms of chaos and solitude overlap seamlessly to create an everyday theatre of resilience.
In §46, Kant defines genius as "the inborn predisposition of the mind through which nature gives the rule to art" (5:307). Because beautiful art cannot be created according to fixed rules, the artistic genius is a kind of channel for the way beauty appears spontaneously in nature. (My slideshow includes Angelus Silesius's "Die Rose" on this point: "The rose is without why.") For Kant, genius has a talent that cannot be learned or taught, and it cannot give an account of itself.
On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.
Nocturnal Womb features two new songs that a press release says were "too dark and visceral to fit the story of Blackbraid III," as well as an acoustic version of the Blackbraid II song "Barefoot Ghost Dance on Blood Soaked Soil."
Other Dimensions in Sound is our Friday music series curated and hosted by Boohaabian multi reed player extraordinare David Boyce. Each week David will be inviting different musical guests to join him in our galeria for a night of sonic sustenance. This month: fiery Filipino-American guitarist Karl Evangelista performs the entirety of Sonny Sharrock's "Guitar" album - solo, as intended. The trio of Ari Brown, Elango Kumaran, and David Israel Katz joins.
48 Hills is teaming up with some of SF's best music venues-Regency Ballroom, The Warfield, Great American Music Hall, Brick & Mortar, Monarch, the Midway, Public Works, and more-to get you to some shows throughout the season. This week: some EDM revival and metalcore legends. Stay tuned for more! We have one pair of tickets to each of the shows below to give away, but act fast!
Natanya tears genres open and rebuilds them in her own image. Her drums swing loose and jazzy over heavy 808s; synths drift dreamily before snapping into gritty guitar riffs. Writing, producing and arranging all her own work, she weaves together neosoul silk, R&B groove, indie edge, and flashes of grunge, all carried by a buttery falsetto that nods to Aaliyah, Amy Winehouse, Janet Jackson and early Destiny's Child.
What does Comic Sans sound like? What does it feel like? And is it actually kinda good? These were the questions ever-present in the minds of early PC Music acts like Kero Kero Bonito's Gus Bonito, who, to this day, performs DJ sets in front of a strobing projection of his moniker Kane West in the notorious font.
Flying Lotus is releasing a new EP, Big Mama. The seven-song project is out March 6 and marks the electronic musician's debut release on his own label, Brainfeeder. A short film will be released alongside the EP-watch the teaser for that below. Big Mama was produced in New Zealand while Flying Lotus was working on his debut film, the science-fiction horror , which will premiere March 21. He was inspired to simplify his production setup, using only a laptop and a controller.
On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.
As the CEO and co-founder of the generative AI music company Suno, Shulman currently finds himself in the exhilarating if perhaps unenviable position of being simultaneously regarded as the architect of music's future and its executioner. Suno, which was founded just over two years ago, allows users to create entire songs with just a few text prompts. At the moment, you can't prompt it with the name of a specific pop star