Which version of a story we choose to tell, which characters we place in the foreground, which ones we allow to fade into the shadows: these reflect both the teller and the reader, as much as they show the characters of the myth. Considerations of culture and bias have been central to the recent wave of mythic retellings focused on women,
Hadestown, the Tony-winning musical by Anais Mitchell, blends folk and jazz, weaving a dark tale of love between Orpheus and Eurydice, and Hades and Persephone.