#glyndebourne

#glyndebourne

Alder looks faintly amused, then reminds me she's been at Glyndebourne doing three performances of Mozart's Marriage of Figaro every week since the end of June. In fact, she was on stage as the Countess barely 12 hours earlier. It's never-ending, she says. I don't want this to come across negatively it's been the most amazing contract but an extremely long run.

bringing with it the weight of tradition: a reminder that opera at the Proms has always been about making the grand feel accessible, and the intimate feel expansive. In the vast space of the Royal Albert Hall, the familiar overture races ahead with its restless wit, and suddenly an opera written for the intimacy of late-18th-century Vienna came alive again for thousands of listeners under a single domed roof and for many, many more live on Radio 3.