Placing your subwoofer in the front quadrant of a room allows the walls to guide low-pitched sounds effectively, enhancing overall audio quality. Avoiding corners is crucial, as this can lead to muddy and overpowering bass that detracts from the listening experience.
The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.
For most of human history, night arrived as a planetary certainty. Darkness spread across landscapes, and the sky revealed thousands of stars. Today, that sky is disappearing. Artificial light spills upward from cities, scattering through the atmosphere and turning night into a permanent haze. Research mapping global sky brightness shows that more than 80 percent of humanity now lives under light-polluted skies, and the Milky Way has vanished from view for over a third of the world's population.
Tone Freq Studios captures pristine acoustics and emphasizes analog warmth, creating a tactile space that values collective experiences over the convenience of digital recording methods.
People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.
While sailors could easily determine their latitude by measuring the angle of the sun or the North Star, calculating their east-west position on a continuously spinning globe remained one of the era's most stubborn scientific hurdles. Without it, navigators were forced to rely on dangerous guesswork like dead reckoning, leaving them vulnerable to getting lost, running aground, or being ambushed by pirates along predictable routes.
The electronic musical composition draws on field recordings of local wildlife and environmental phenomena, sourced from archival materials along with new recordings made specifically for the installation. By transporting the sounds of the lake's ecosystem into an urban park setting, Eliasson foregrounds the fragile interdependence between human and more-than-human life, rendering audible what is increasingly at risk of vanishing.
The Eski.Sub draws inspiration from the visual language of Brutalist architecture and the cultural atmosphere of UK grime music scene. The project examines the relationship between design, urban context, and emotional listening experiences, positioning the loudspeaker as both an audio device and a spatial object.
Radioposter has built what it calls Paper-fi: physical books with synchronized audio soundtracks that follow readers in real time as they turn each page. No chips embedded in the paper, no QR codes to scan. The system uses patented computer vision and other modes through a smartphone or smart glasses to track your place in the book and play the corresponding audio.
Previous research has shown that people feel better in bird-rich environments, but Christoph Randler, from the University of Tubingen, and colleagues wanted to see if that warm fuzzy feeling translated into measurable physiological changes. They rigged up a park with loudspeakers playing the songs of rare birds and measured the blood pressure, heart rate and cortisol levels (a marker of stress) of volunteers before and after taking a 30-minute walk through the park.
For four days this month, Williamsburg will again become home to "the Coachella of podcasts" as On Air Fest returns to Brooklyn with one of its most ambitious lineups yet. Running from Feb. 23 to 26, On Air Fest 2026 will span three walkable neighborhood venues: the Wythe Hotel, Arlo Williamsburg and The XX Venue. The event will feature live podcast tapings, intimate interviews, performances, panels and industry conversations that explore how audio, media and culture intersect and evolve.
His first albums under his own name, 1995's Earth & Nightfall and 1996's cult classic Ten Days of Blue, were blissful-sounding ambient techno records that took the melodic sensibilities of the local scene to their cosmic extremes. Every beep and blip was in harmony with a lush string line, the rhythms less like breakbeats or programmed drums than trance-inducing hammered dulcimers.
Tim Zha is looking for the soul in the machine. While some might hear Auto-Tune as masking a singer's humanity, the London-based artist filters his vocals to highlight technology's inseparability with our notions of self. This is ground well-trodden by Afrofuturist techno pioneers, Atlanta trappers, and PC Music hyperpoppers; for Zha, Auto-Tune represents what he calls the "coincidence of human subjectivity and the networked machine system."
