The opening text informs us that Soso, father of the family, was originally an engineer but has chosen to pack in his profession and take up farming partly because the Georgian government is offering attractive credit incentives, particularly for those who work the land near the border with Abkhazia, once part of Georgia but effectively a puppet state of Russia since the 2008 Russia-Georgia war.
Across Georgia, a series of stunning frescoes traces the country's fractious history, from its early Christian origins to the Soviet-era socialist utopianism. It was through these murals that Nina Kintsurashvili first encountered art-traveling with her father, Lasha, as he journeyed to remote mountain regions to restore medieval murals and re-learn the art of fresco painting. Here, she discovered the importance of perspective, space and line work through the logic of Byzantine and Georgian iconography, absorbing a semiotic system she has adapted and distorted,
Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of Uzbekistan today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the Soviet Union, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the modernist monuments for which Tashkent is known today.
Inverted House by TIMM Architecture is a single-family located in Okrokana, a hillside district of Tbilisi, . The project responds to the fence-dominated suburban fabric characteristic of the area, where narrow streets, compact plots, and tall perimeter walls limit visual connection, daylight access, and spatial continuity. Rather than positioning the house behind a boundary wall, the design integrates enclosure into the architecture itself, using the building as a continuous perimeter that defines and protects the site.
Filling my cheeks with crisp puffed shells packed with spiced potatoes, chutneys, and tamarind water is a core Delhiite memory, and one that comes rushing back at Gokul Sweets in Decatur. The no-frills, counter-service spot is a longtime vegetarian Indian street food staple, complete with a bakery case stacked with dozens of sweets. North Indian treats abound, but the massive South Indian dosa is the envy of the canteen.
In recent years, food has taken on a renewed role within architecture, not simply as a program or typology, but as a shared spatial practice. Beyond restaurants or dining design, communal eating spaces are increasingly understood as environments where presence, ritual, and time intersect, allowing people to gather, stay, and coexist. In these settings, eating does not just happen within space; it actively shapes it, temporarily transforming ordinary, borrowed, or improvised environments into places of exchange.
Studio Stipfold designs AltiHut Cottage as part of first sustainable high-altitude hospitality ecosystem, combining a compact layout, fiber- architecture, and panoramic glazing to minimize impact while maximizing experience. At 3,014 meters above sea level, AltiHut stands as more than a mountain . It is a statement of responsibility, vision, and care for the planet. The project challenges the idea of adventure tourism by uniting comfort, awareness, and respect for nature. Every element, delivered by helicopter and powered by the sun, reflects a belief that hospitality can exist in balance with the environment.
Set within a large agricultural garden in a coastal village near Lezhë, Albania, Red House by Pacarizi Studio explores how a single-family dwelling can respond to changing social structures, climatic conditions, and local building cultures. Designed by Gezim Pacarizi, the 350-square-meter home is organized around an open, partially covered courtyard with a pool at its center. The project approaches domestic architecture as a sequence of perceptual experiences shaped by light, movement, and framing, an idea articulated by the architects themselves. 'What you see through a window can be a landscape, a tree, or architecture itself,' they note.
