#film-reviews

#film-reviews

Even with an intriguing premise, "War of the Worlds" ultimately disappoints on every level, lacking coherence and any semblance of engaging storytelling.

"[James Gunn] may love this source material, but he approaches it with a mixture of sincerity and irreverence that makes his new movie feel like a window being thrown open to a sunny day after years of oppressively dour DC action. He doesn't politicize Superman, exactly. He just returns the character to his roots as the creation of two Jewish American men whose families fled the pogroms and who gave their extraterrestrial defender of the planet a background as a refugee himself." -Alison Willmore

'This year's lineup seemed slanted a little more heavily toward documentaries than in the past, and a number of them were also celebrity-driven with a particular emphasis on music-related projects.'

This Father's Day weekend, the movies offer diverse choices, from emotionally charged dramas like The Life of Chuck to light-hearted romance with Chris Evans and Pedro Pascal.

Ryan Coogler cemented his position in filmmaking with a stunning musical-horror hybrid that critiques cultural appropriation, becoming the most financially successful original blockbuster in 15 years.

Trachtenberg's skill in crafting thrilling narratives is evident in 'Predator: Killer of Killers,' which introduces a compelling new storyline that reshapes expectations for the franchise.

There are wonderful moments of humanity and hope; I don't usually respond to hug moments in drama: and yet the (soon to be classic) scene here in which a woman has to hug her grandson's friend in the absence of the grandson himself is overwhelming.

Ryan Coogler's horror film launches on VOD, alongside Nicolas Cage's psychological thriller 'The Surfer' and Steven Soderbergh's haunted house story 'Presence'.

Amy: The 19th season of the British game show Taskmaster, wherein a group of comedians are made to do impossible tasks by host Greg Davies.

Disney's 'Lilo & Stitch' remake is set to become the biggest Memorial Day weekend opener ever, grossing $55 million on its first day.

Watching a new Wes Anderson film is like reaching for a trusty closet standby. You know what you're getting into, but it continues to delight.