Macho Dancer was once deemed so controversial that its director had to smuggle it out of the country so it could see the light of day. Set within Manila's infamous red-light district, the film was seen as too risqué and possibly even dangerous due to its honest look at homosexuality, sex work, and drag queens, while also shining a light on government corruption.
Espina humorously admitted to oversleeping on a significant news day, stating, 'Breaking news, mi gente! I can't believe it.' His videos celebrated Maduro's fall but also expressed concern about the complexities of the situation.
Nisha, who looked to be about 15 years old, drew a parol - a star-shaped lantern displayed during Christmas - and a Bahay kubo - a traditional Filipino-style house - with a small pencil, as she sat at a table of the Bayanihan Community Center in SoMa.
So we are seeing them be more aggressive and less likely to be called to account. Over the past year, the administration has dismantled many of the internal watchdog offices at the Department of Homeland Security, enabling agents to act with impunity.
Keepers of the Steps, the living archive and cultural program at the United Irish Cultural Center dedicated to preserving generations of Bay Area Irish dancers, teachers, and families. Through stories, images, and lived experience, we'll reflect on how dance carries lineage, identity, and community forward.
I'm so excited. The San Francisco Chinese New Year parade is, like, none other. I grew up watching it, and the entire city knows what's happening, because the sound, the cheering, the sights, the smells, the brightness, it's really unparalleled.
The next PST Art will highlight exchange around the Pacific across several centuries, from the arrival of Chinese porcelain in the Spanish missions to the influence of Japanese visual culture on the city's architecture and design, to the ongoing impact of contemporary Korean pop culture.
Both plays set out to examine the ugly ways that American capitalism has twisted itself up with the striving of characters of color - characters whose immediate roots stretch beyond the U.S. and whose ambitions within its borders have resulted in a malignant combination of rugged self-reliance and internalized self-hatred.
We felt this was a timely exhibition because we are once again living in a moment when queer and lesbian communities are being asked to survive systems that were not built for us. These histories are not just stories from the past. They are blueprints for how we build, care for one another, and sustain our institutions now.
As Los Angeles Dodgers fans count down the days until Opening Day 2026, there are plenty of events and activities going on around the city for fans to enjoy with their families, friends or even solo this weekend. There are multiple cultural events happening this weekend that will embrace culture and community with vibrant celebrations for Black History Month, Mardi Gras, and Lunar New Year Pick your favorite events, mark your calendar and make the most of your weekend in LA!
Chef Tiana has an amazing personality and she is doing something very similar to what I'm doing at Maydan. I preserve my culture through food and try to explain the Middle East to people through feeding them, and she does the same thing. One of her parents is Black and one is Filipino and she represents Southern food culture with Filipino food,
In the Philippines-where extended families share meals daily, church communities gather weekly, and people spend hours each day on social media-57% of citizens report feeling very or fairly lonely, according to Meta-Gallup's 2023 Global State of Social Connections report, the second-highest rate globally. Separate surveys suggest Filipino youth are among the loneliest in Southeast Asia.
Unlike virtually all other non-European ethnicities, SWANA - or Middle Eastern/North African (MENA), as used in the show - is grouped under "White" on the US census. It's not just the census, though. It's medical forms, college applications, just about anything with a check box for ethnicity. Efforts have been made to change this, with some success. More institutions are adding a separate category on forms - and one might appear on the 2030 census.
Filipino food is the kind of thing everyone should try at least once, but it's such a varied cuisine that it bears coming back often. Often bold, bright, and playful, Filipino food is full of life. And, unless you know a very ambitious home cook, there's nowhere better to have your first Filipino food experience than at your local Filipino restaurant.
There's an ongoing dispute spilling into the new year over who will run the Viet Museum at History Park in San Jose, and the new year could mean big changes. San Jose's Viet Museum could change hands if dueling groups don't come to a deal. The museum in History Park shut down more than a year ago because of the dispute. Its collection includes artifacts from the Vietnam War and refugees who resettled in Northern California.
For 50 years, the non-profit MCCLA at 25th and Mission has run arts programming from the four-story building it leased from the city for a dollar a year. The Arts Commission has also given them funding, with the expectation that they will raise more funds from donors, classes and events. This month, however, the Mission Cultural Center ran out of money and on Jan. 26 it closed indefinitely.
Citizens of Nowhere is a documentary short about stateless people in the United States individuals who, through circumstance or legal technicality, belong to no nation. Without passports, citizenship or legal recognition, they live in a state of uncertainty. From finding work and accessing education, to simply existing within a system that does not officially recognise them, stateless people face endless bureaucratic barriers.
The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.