Eva Longoria's multi-hyphenate approach reveals how creative ambition, business strategy, and social impact can reinforce one another, shaping the business of entertainment on her own terms.
The pop-up is structured as a composed interior with garments, furniture, artworks, and editorial elements, allowing each to contribute to a unified reading of the brand.
Despite having to haul a dozen dumpster-loads of damaged goods out of the offices and the nearby Lab Store, to the tune of $1.5 million, Eileen said at the time, 'It was just stuff.' You can only imagine the emotions that might arise in a chief executive if they saw their sewage-soaked products floating by. Eileen and her staff did not linger there. They mobilized quickly-organizing carpools, impromptu meeting spaces, and arranging interest-free loans for staff needing cash during the crisis.
"They're everyday professionals who simply don't have the time to shop the traditional way," said Kneen about J. Hilburn customers. Instead, stylists manage fit, fabrics and wardrobe planning, effectively outsourcing the entire process for busy professionals.
"Nostalgia is my favorite feeling," said Madison Feely '26, who referenced childhood classics including "Where the Wild Things Are" and "Little Women" in her collection, "Homebody." She emphasized that her designs celebrate a well-lived childhood, honoring the authors and illustrators who allow her to relive it each time she opens their books.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
There wasn't kidswear in this show, but for Vevers his other two, slightly older children played a pivotal role. The wonderment of his five-year-old kids watching The Wizard of Oz for the first time was a trigger for this show - most evident in outfits switching from sepia-dulled monochrome to chromatic brights. Example? Beaten-up black denim shorts, an inky cotton shirt and grey tie, followed by its mirror opposite in - fittingly - red, white and blue jeans.
She was an incredible actress, very powerful. She wasn't frightened. She always went for the risky things in life. This fearless pursuit of risk was manifested in the collection's striking pieces, where dresses featured rough, open seams that twisted and draped unpredictably, creating an intimate yet anarchic fall wardrobe.
Fashion fans, mark this one on your calendar: May 2026 won't just bring the return of the December 6 at the arts institution, " Met Gala, one of style's biggest nights, but also the debut of a high-profile new fashion exhibition at the Brooklyn Museum. Opening its doors (or, rather, spreading its kinetic, three-dimensional wings) on Saturday, May 16 and running through Sunday, Iris van Herpen: Sculpting the Senses" will celebrate one of the most forward-thinking designers in the industry, with 140 extraordinary haute-couture creations from the iconic Dutch designer on view alongside contemporary artworks, objets d'art and scientific artifacts.
On the first day of Berlin Fashion Week, Maqu unveiled its Fall/Winter 2026 collection, La Dama del Cacao, a masterful exploration of contemporary Peruvian minimalism. This capsule collection is a testament to material innovation, embodying a thoughtful design philosophy that marries textile memory and regenerative principles. Crafted from luxurious alpaca yarns, organic cotton, and pioneering biomaterials, each piece is a result of meticulous hand-knitting techniques and artisanal machinery.
Teyana Taylor showcased the maximalist layering technique of piling unexpected pieces atop one another, as seen on the runways of Thom Browne and Loewe. Completely decked out in Hermès, the Straw actor wore a collared oat jacket with long, billowy sleeves, left completely open for a skin-baring twist. It was styled with a printed scarf that looped around the collar, evoking a makeshift vest.
Travelling for art can be incredibly virtuous and culturally rewarding, like collecting souvenirs for your eyes (and from the post card rail in the gift shop). Remembering to research what is on before I book flights is a lesson I learnt all too well after I missed the Metropolitan Museum's fashion exhibition in 2016 by one day. As a fashion obsessed 20 something, I did not take this well and have since improved my itinerary planning and exhibition calendar checking.
This collection captivated audiences with its rich narrative, reflecting the dichotomy of overwhelming love intertwined with frustration and inner turmoil. Kucharska's latest offering approaches the multifaceted journey of motherhood, encapsulating a complex emotional landscape that balances strength and vulnerability. The pressure to endure coexists with a fierce longing for protection and safety, creating a powerful tension that resonates across her designs.
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
Everybody thought I would make oversized bomber jackets with monograms, said the mononymous king-of-the-hoodie designer after the show. That's what ChatGPT said, apparently. But that's not why I came to Gucci. Instead, he said, his Gucci will be energy, passion, fun and sex.
It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom