When scientists applied a new model of human survivability that takes into account the body's ability to function and stay cool depending on age, they found all six events had seen non-survivable periods for older people who could not find shade.
Somebody sent to this world to try to give people hope in dark times, because without hope, we fall into apathy and do nothing, and in the dark times that we are living in now, if people don't have hope, we're doomed. How can we bring little children into this dark world we've created and let them be surrounded by people who've given up?
At a young age, I learned quickly how oil wealth and power could burn the land while people struggled. I saw heat rise off the streets, the Nile strained, and the air thickened with injustice. In my teenage years, through Aotearoa, being on the edge of the Pacific, I felt the ocean breathing heavy, swallowing the shores of islands that have done the least to cause this harm.
Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.
The body is a shifting landscape transformed by surfaces and sensations. Each look captures a different tactile world: the heat of blood, the cool weight of metal, the yielding drift of water. The result is a sculptural study of how the elements carve, shield, and release the self. The materials we embody become the emotions we carry, and the body becomes a materialised exhibition of our emotions, from the pulse of Blood to the discipline of Metal to the surrender of Water.
Covering Climate Now was formed in 2019 in response to the climate silence that then prevailed in much of the press, especially in the United States. Over the years that followed, hundreds of newsrooms joined our effort, and press coverage of the story began to reflect the scale of the crisis. Newsrooms beefed up their climate reporting teams; they confronted misinformation that sought to play down the problem; they thought creatively about how to find the climate connection on every beat.
When British author Karen Armstrong won the TED prize in 2008, she used the money to convene a group of religious thinkers from a wide range of faiths to craft an updated version of the Golden Rule for the 21st century. What emerged was the Charter for Compassion, which calls on people around the world "to work tirelessly to alleviate the suffering of our fellow creatures, to dethrone ourselves from the center of our world and put another there, and to honor the inviolable sanctity of every single human being, treating everybody, without exception, with absolute justice, equity and respect."
There's no hand-waving about how 'We want to cooperate on climate,' " oil historian and S&P Global vice chairman Dan Yergin said in an interview. "It's, 'We're slamming the door on that issue.' " "We've gone from over-indexing it to zero-indexing it.
The physical nature of the project was inspiring and fun for everyone and also contained within it a kind of message. If we are going to change the direction of our climate we are going to have to do it for real too - in the real world, by doing real stuff.
"Let's be realistic." That's the advice coming from a growing number of voices in climate circles in the United States. In October, billionaire Bill Gates argued that a global temperature rise of 2 degrees Celsius is unavoidable and not a " super bad outcome"-a view unlikely to be shared by the millions of people whose homes would be destroyed by the resulting killer storms and rising seas.