This weekend such a moment occurred. I never knew I wanted to see Harry Styles channel Lord of the Dance Michael Flatley in a silk blouson shirt and headband and canter around a stage.
He was the actor I wanted to play this role. It was very much designed around him. It drew on his Native American heritage and his ties to and love of the Southwest. Voorhees emphasized that Kilmer had really wanted to participate in the filming, but was just going through a really, really tough time medically, and he couldn't do it.
"I haven't heard him sing yet," Flannery confesses, in answer to the burning question, when we sit down after a rehearsal in Nuns Island theatre in Galway.
I wanted to mention Kenneth Williams because he was so profound, Allen tells me. And yet, because he was also funny, that profundity hasn't been acknowledged. As a child, I connected with his outsiderness. Rather than trying to fit in, he went in the opposite direction. Not only did he not apologise for being different, but he was queer in every sense, truly at odds with the world in which he found himself.
The 24/7 grind of a politician is not for the faint-hearted as the likes of Simon Coveney and Catherine Martin will tell you. Former TDs who stood down or lost their Dáil seat at the last general election say why they haven't looked back.
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
Manic Street Creature is gig theatre in its purest form. Kirsty Patrick Ward (The Rat Trap) directs a story about a musician breaking onto the London scene, told as a musical set. Olivier Award-winner Maimuna Memon (Standing at the Sky's Edge) leads a tour-de-force about young love, creative ambition and mental health.
I remember seeing it in drama school. I remember being so profoundly moved by it. I remember being so frightened by the performances in terms of seeing both sides to the thing that I think for most of us is, the most alive thing in our life, which is these, like, romantic relationships and the kind of inception of those things and the death of those things.
It's something that you don't think about when you're writing songs or playing music. You don't write the songs for awards, but when you do get nominated, it is a lovely moment to sit back and soak in what's really happened in the last couple of years.