#chicago-artists

#chicago-artists

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.

Laura Berger continues her explorations of communion in a suite of staggering paintings that place her signature minimal figures in intimate fellowship with one another and the earth.

Pomona's Lincoln Park neighborhood offers buyers seeking classic vintage homes an affordable alternative for early 20th century Craftsman homes, California bungalows and Prairie, Tudor and Colonial Revival styles, as well as a healthy mix of Spanish and Victorian houses. The Lincoln Park enclave, which is on the National Register of Historic Places, is home to about 900 of Pomona's more than 2,700 buildings of historic significance.

"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."

Lou Mitchell's opened its doors way back in 1923, and there's a reason that this is still one of the best old-school diners in the U.S. Customers are greeted by friendly staff handing out donut holes and Milk Duds as a way to welcome you to this home away from home, and in the kitchen? Locally-sourced eggs are turned into omelets on order, all the juices are freshly-squeezed, and even the bread and the orange marmalade is made in-house.

The 6th edition of Earth 2026 juried awards invites artists worldwide to explore and express the power, beauty, and resilience of our wounded planet as we approach World Earth Day.

Known as the City of Brotherly Love, Philly is often highlighted for its food and sports legacy (with the glow of Jalen Hurts and the Eagles still illuminating the city). But beneath that surface lies a robust, vibrant lineage of artists, interdisciplinary creators, and collectives who've shaped the cultural fabric of the city with immense innovation and fierce local pride. From hidden gems to rising institutions, Philly's creative community has been laying the groundwork for centuries,

Mason Currey dives into the underexplored topic of how artists fund their practices and lives, revealing the financial strategies that have supported creatives through the ages.

The evening, spearheaded by directors Sam Bardouil and Till Fellrath alongside patrons Monique Burger and Christine Würfel-Strauss, arrived at a fraught moment for Berlin, whose cultural scene faces funding cuts of roughly €130 million.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

When the gin and tonic glasses are drained, and the crab tostada and chimichurri-dressed steak plates are cleared from the table, customers can snake through the kitchen and descend candlelit stairs to an entirely different experience: Laberinto, an underground speakeasy. The theme at Laberinto, which means labyrinth in Spanish, is escapism - a micro vacation after the meal has ended where guests chat, flip through vinyl records, and sip Mexican spirits and liqueurs layered with notes of oregano, sage, and palo santo.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Footballhead by Calla Flanagan Footballhead by Calla Flanagan If you like emo, grunge, and other rock subgenres of the '90s and early 2000s, you should be getting excited for Chicago band Footballheads upcoming sophomore album Weight of the Truth, which arrives March 20 via Tiny Engines (pre-order). Three singles are out from it now, including Used To Be (which we named one of the best punk & emo songs of November) and the newly-released Diversion, which you can listen to below.

If you've walked around any of France's cosmopolitan cities in recent years, you're sure to have come across some stunning murals. Painted onto the side of buildings, in hidden corners, and just about anywhere an artist can paint, street art is booming. We're not talking old-school graffiti here, hastily sprayed names on walls, and anti-social stuff like that. Today's street art is commissioned by city or town councils and created by prominent street artists from around the globe says Suzanne Pearson.

As the United States prepares to celebrate its 250th birthday amid attacks on civil liberties and marginalized communities, museums and galleries in the nation's capital are opening exhibitions that question what it means to be an American.The National Gallery of Art presents 115 works in Dear America while other shows focus on individual artists such as Mary Cassatt and Nick Cave, all in the pursuit of exploring "Americanism" as a facet of education, expression, and aesthetics.

We're just a week away from Frieze LA, when East Coast dealers and local artists alike descend upon the Santa Monica Airport, but this isn't Renée Reizman's first rodeo. Since the critic and artist moved to the area almost 15 years ago, she's witnessed blue-chip New York galleries set up shop and sideline the irreverent, DIY spaces that shape the local art scene. Without these spaces, Reizman writes, she would not have discovered what art can be outside of the white cube.

"We had just moved to Seattle, and I started drawing. Like every day I drew the commuters on the bus, I would draw the mountains, the buildings," remembered Campanario.

One of those early supporters was Jan Petry (1939-2024), a Chicago advertising executive who filled her home with outsider art. Petry bequeathed 47 works, some by anonymous artists-including an Odd Fellows carved wood staff dating from 1880-and others by Emery Blagdon, James Castle, Ulysses Davis, Charles Dellschau, William Hawkins, Martín Ramírez, Günther Schützenhöfer and Leopold Strobl. Charles Dellschau, Fall Not, 1920 Collection of Intuit Art Museum, gift of Jan Petry and Angie Mills

Topped with a roof shaped like a crabshell, Le Corbusier's Chapelle Notre-Dame-du-Haut is a sanctuary amid the French mountainside. The 1955 construction rests atop a hill in Ronchamp, standing unobstructed by the otherwise forested inclines. As the sun rises and falls, light filters in through the mélange of rectangular windows tinted to cast streams of color around the space. The stained glass apertures of Le Corbusier's modernist chapel are a clear reference point for Luftwerk's "Open Frame."

There was no good reason to rename it, and in the end, I think the fundamental logic that went into that decision didn't withstand scrutiny or deeper analysis,

With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.

The 31st edition of the LA Art Show is back this week at the downtown Convention Center, more than a month before Frieze, Felix, and Post-Fair roll into town. Although it is LA's longest-running art fair, the show is somewhat of an outcast, snubbed as pedestrian, too commercial, and out of touch with the cutting edge of the global art world. But at the rear of the cavernous exhibition hall, a pair of projects organized by curator Marisa Caichiolo gives visitors a sense of the fair's cultural and political relevance.