'When I go to bed, I go to work.' Starck describes dreaming as an active method in his design process, where sleep becomes a space for production and innovation.
The Hanwha Seoul Pompidou Center is conceived as both an exhibition venue and a meeting point where education and art converge, offering adaptable spaces to host a broad range of activities.
The architectural approach emphasizes simplicity, durability, and contextual integration, with brick as the primary material for its structural capacity and long-term performance.
Hector Guimard's distinctive designs are well known - even if his name isn't. His signature work, the Paris Métro entrances, are classic examples of Art Nouveau, characterized by their elegant flowing lines, floral ornamentation, geometric forms, and mythical symbolism, taking inspiration from nature.
Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.
When Jay Chiat commissioned Gaetano Pesce in 1994, he envisioned a workplace free from assigned desks and rigid partitions. The Italian designer responded with a space conceived as a flexible field of movement. The office functioned almost like a small city, where meeting areas and work zones formed an informal network of routes and gathering points.
Photographer Henri Cartier-Bresson (19082004) travelled all over the world and extensively throughout Europe. After producing numerous series of photographs for magazines in Germany, Spain, Italy, Greece, Switzerland and France, Cartier-Bresson wanted to bring them together in a book and in 1955, he published Les Europeens (The Europeans). This book of photographs aims to show what makes each of the peoples of this geographical area unique while highlighting their similarities. This exhibition brings together some of the most important photographs from the book.
Renzo Piano Building Workshop (RPBW) unveils a new vision for the Ensemble Immobilier Tour Maine-Montparnasse, a large-scale urban retrofit that transforms a closed 1970s retail complex into an open, pedestrian-focused piece of Paris. Commissioned by the co-owners of the Montparnasse Commercial Centre and the CIT Tower, the project unfolds in parallel with the ongoing redevelopment of the adjacent Montparnasse Tower, led by Nouvelle AOM. The two interventions aim to recalibrate one of the most contested sites of the city, shifting it from an inward-looking megastructure to a permeable urban district grounded in daily life, movement, and public space.
Styling by Axelle using fashion by Nazarene Amictus, Victoria Amerson Design GmbH, Mossi, and Vintage pieces. The assistant stylist is Evan. The series explores the idea of haste and unintentional disorder in Paris, the moment when you rush downstairs, almost forgetting your trousers, because every minute counts. This sense of urgency, this I don't have time, becomes an aesthetic language. In Paris, style isn't calculated, and yet, nothing is ever left to chance.
Famed Paris modern art museum the Pompidou Centre said Wednesday it had filed a legal complaint and suspended an employee after a hidden camera was found in the women's toilets of its offices. A statement from the famed modern art space, which closed its doors last year for renovations, said an employee had discovered "an image-recording device" on January 14th in offices housing building management and security staff near its main site.
Past a sign for a family waterpark, a door opens onto an homage to fin-de-siècle Paris. Chandeliers are reflected in gilt-edged mirrors; there is a chorus line of lobsters and yards of fromage. Every so often, a waiter in a dinner suit flambées a crepe Suzette with a shock of flames, like a big top fire-eater. This is fine dining as buffet.
At the official launch last November, the current culture minister Rachida Dati described the imperative behind the programme as not just celebrating an uncommon visionary but the "burning relevance" of his legacy: "a commitment to continuing to nurture this demanding idea of what culture is".
Belleville has always been a little bit rowdy, whether it meant to be or not. Long before it was folded into Paris in 1860, it existed as its own working-class wine village perched on a hill, slightly removed from the city both geographically and ideologically. In recent years, as Paris's 10th and 11th arrondissements have slid fully into hipster territory, and even the gritty Barbès neighborhood feels increasingly polished, Belleville has held onto its identity with surprising resolve.
The streets around the Louvre have improved considerably as a dining destination. It's still true that the neighborhood rewards those who know where to look - the blocks immediately adjacent to the museum are thick with tourist traps - but a short walk in almost any direction opens up genuinely good options.
Léribault's first mission, according to Macron, will be the "appeasement" of a museum which has been badly hurt by the theft of France's crown jewels on 19 October and a string of scandals since then. He will need all his diplomatic talents to face the unions, who have led an unprecedented series of strikes, asking a rise in wages.
Born in Paris in 1936 to German-Jewish parents who fled the Nazis, his family survived the war in hiding in south-western France. Rosenberg first arrived at the Louvre in 1962, at the invitation of Charles de Gaulle's minister of culture, later heading up the department of paintings during the museum's dramatic relaunch in the 1980s and early 90s, symbolised by the 1989 completion of I.M. Pei's sculptural entrance, the Louvre Pyramid.
The foundation's collection is exceptionally large, encompassing more than 10,000 items-including thousands of drawings, over 400 sculptures, 100 paintings, a whole collection of decorative objets d'art, prints, everything that was in the studio, all the archives. Most of the collection has never been exhibited.
If you've walked around any of France's cosmopolitan cities in recent years, you're sure to have come across some stunning murals. Painted onto the side of buildings, in hidden corners, and just about anywhere an artist can paint, street art is booming. We're not talking old-school graffiti here, hastily sprayed names on walls, and anti-social stuff like that. Today's street art is commissioned by city or town councils and created by prominent street artists from around the globe says Suzanne Pearson.
Influenced by the works of Hopper and Hans Hofmann, Mitchell Johnson: Personal Color (Selected Small Paintings 1988-2026) is shaped by decades of visits to Paris and Cape Cod, two places that have anchored and evolved Johnson's painting over the course of his career. Hofmann, through his teaching, transported the aesthetics and concerns of the School of Paris across the Atlantic, eventually creating a group atelier curriculum that would expand the breadth of American Modernism through his theory of push and pull.
