Fresh off her performance at Super Bowl XL at Levi's Stadium in Santa Clara - where she delivered a winning pregame rendition of "America the Beautiful" - singer-songwriter Brandi Carlile returns to the Bay Area for a concert at Chase Center in San Francisco on March 6.
I have my own moral code, my own moral imperative, that I have to answer to at the end of the day, as a wife and mother, and I believe in my ability and responsibility to do this, and that's why I'm here,
Just before casting my vote in the 2024 election in my hometown in South Carolina, I turned on Brandi Carlile's "The Joke" from her album By the Way I Forgive You, which was written in the aftermath of Donald Trump's 2016 win. I needed to listen to it before I went into the voting booth. Carlile's soaring vocals and poignant lyrics about hope in the face of persecution comforted me as I pulled into the parking lot of a former Walmart turned megachurch that served as my polling station. I parked my Subaru and cried, singing along between quiet sobs.
The title of Brandi Carlile's latest record, , makes an encouraging first impression. What could possibly be bad about reclaiming selfhood? Isn't that a pop psychology milestone people make guest appearances on daytime talk shows to humble brag about? But Returning to Myself considers the implicit woe of its own declaration: in order to return to oneself, one must first be lost. It's a common existential crisis that worsens when pop culture primes audiences for inspiration instead of reality checks.