#billie-holiday

#billie-holiday

Dylan describes his first encounter with Johnson's music, stating, "From the first note the vibrations from the loudspeaker made my hair stand up. The stabbing sounds from the guitar could almost break a window. When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor."

Psychologically, I was protecting myself, which is why I didn't do drugs and didn't drink. I had to stay in control. So I just kept searching, spiritually, for the answer.

Samara Joy sings with old-school phrasing and a modern calm that makes the Great American Songbook feel freshly alive. Her tone is warm and centered, her control is ridiculous, and the swing is the real flex, every line shaped with patience and purpose.

Big Mama Thornton exuded uncompromising intensity. Her voice conveyed struggle and defiance, fury and hurt, like few others. She was a Black, gay multi-instrumentalist who refused to let a racist society or a rapacious industry confine her.

Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'

Chaka Khan criticized modern female popstars for 'doing any and every damn thing on stage' while trying to sing, suggesting they are compensating for vocal weaknesses.

"It's slow music, the lyrics transmit good feeling and it's moody," said frontman Gustavo Raya Garcia following the album's release on March 26.

Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.

Fearing for her safety, Lisette Model buried her photos of artists like Billie Holiday and Louis Armstrong, but a new book reveals them to the world. Lisette Model was targeted by the FBI during the Red Scare, like so many other leftist Jewish refugees. The book is one front, not least because of the systematic exclusion of women from art historical narratives and institutions.

Brendan Carr's FCC is still twisting its panties over the existence of talk shows (don't worry, Netflix wants to make them all video-only "podcasts"). This time, Carr's freak-out was an attempt to stretch the FCC's equal-time rules to apply to talk shows - both late night and daytime. Will we see Trump in the Spirit Tunnel in 2028? Only time will tell.

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

Black History Month is a time to acknowledge and celebrate the achievements and courageous acts of people of African descent in the United States and around the world. This year, Black History month celebrates its 100th anniversary. And yet, Black History Month has failed to fully acknowledge or celebrate the contributions of Black LGBTQ+ people. Just as Pride Month remains overwhelmingly white in its representation, Black History Month continues to be deeply homophobic in its omissions.

When the London jazz festival ran online only in 2020, an enthralling livestreamed performance by Swiss harpist Julie Campiche's avant-jazz ensemble was a startling highlight, introducing UK audiences to a virtuoso instrumentalist and composer who was already turning heads in Europe. Campiche plucked guitar, zither and east Asian-style sounds from the harp, mingled with vocal loops, classical music, Nordic ambient jazz and more. You might call her soundscape magical or otherworldly if it didn't coexist with a campaigner's political urgency on environmental and social issues.

While taking a break from her musical career, Tifrere founded the nonprofit organisations ArtLeadHER and Art Genesis in 2016. ArtLeadHER provides visual-arts education and exhibition opportunities to women and teenage girls, while Art Genesis helps organise shows for emerging and underrepresented artists.

First performed in 1910 by Serge Diaghilev's Ballets Russes and adapted by George Balachine for New York City Ballet in 1949, Firebird was inspired by a Russian folk tale. The ballet tells the story of Prince Ivan, who captures the firebird, a creature who is part bird, part woman, and then lets her go.

Even if you're just a casual jazz fan, you probably recognize "Take the A Train," Duke Ellington's swinging theme song. Or you've heard the melancholy ballad "Lush Life" sung by Nat King Cole, by Linda Ronstadt during her Great American Songbook era, or by Lady Gaga on the album she recorded with Tony Bennett. Both of those - and many other tunes - were written by a gay man, musician, composer, and arranger Billy Strayhorn.

The Recording Academy has announced that this Sunday's Grammy Awards will feature Ms. Lauryn Hill performing during the "In Memoriam" segment in honor of the late D'Angelo and Roberta Flack. Elsewhere, Post Malone, Slash, Duff McKagan, and Chad Smith will pay tribute to the late Ozzy Osbourne, and Reba McEntire will be joined by Brandy Clark and Lukas Nelson to honor "some of the musical icons" who passed away in the last year.

With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week's batch includes new albums from Ari Lennox, Lucinda Williams, and Cat Power. Subscribe to Pitchfork's New Music Friday newsletter to get our recommendations in your inbox every week.

Fujiwara's hustling brushes set up a churning guitar hook on the title track that sounds infectiously like a kind of highlife bebop, before Reid's superb pizzicato cello solo takes off with Halvorson comping the tune in the background. Her own seamlessly skimming improvisation is then followed by a spontaneous counter-melodic dance between the two of them.

At the turn of the 1960s, when free jazz was making its initial seismic impact, multi-instrumentalist Phil Cohran-he later added the name Kelan-was living in Chicago and playing trumpet for Sun Ra's Arkestra. He contributed to crucial recordings by the band during his tenure, including We Travel the Space Ways, but Cohran was a restless autodidact who never stuck with any one project for long.

Perhaps it's fitting that Al Bowlly's death is as well-remembered as his life, or rather, as his voice. After all, his most celebrated appearance in popular culture wasn't physical, but spectral. In Stanley Kubrick's The Shining (1980), when Jack Torrance enters the ballroom and the ballad titled Midnight, the Stars and You (1934) plays, the film reaches one of its most memorable moments.

The architect of the bestselling jazz album of all time, 1959's Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to cool jazz, modal jazz, electronic fusion, jazz funk and even hip-hop.

I had to make a transition for survival from folk music, which was killed by the British Invasion. David Crosby was afraid that they were going to slap some kind of band on me and that it would ruin my music. So I made that record with voice and guitar. Then the record company sicced the band on me. It was called The Section, they were a good band for James Taylor and Linda Ronstadt, but they couldn't play my music.