The opportunity to adapt Wilde's Salome was invigorating, serving as a strange freedom to test ideas that might otherwise feel too risky.
Antoine Zavagno emphasizes that during his project, he learned to embrace mistakes and imperfections, stating, 'An imperfect image doesn't necessarily mean a bad image.' This highlights the artistic value of authenticity.
The six-year period covered in my new book has witnessed wars, a global plague, more UK prime ministers than I can be arsed to google and the death of one head of the British royal family.
"I spent four years drawing every day. I really got into drawing old buses and trying to capture Liverpool long gone. It dawned on me that I was on a mission to create something beautiful."
"Drawing has helped me get to know myself better and connect with my thoughts and emotions, influenced by a somewhat traumatic childhood. Perhaps for this reason, I often approach topics with irony and a childlike style."